NOW THAT'S WHAT I CALL KULOR!

by kulor

supported by

Sendy@TheWaveFarm Just great textbook example well composed chip tunes that get your head bopping and your feet tapping. Favorite track: My First LSDJ.

Mike Having grown up with video games, I've seen first hand their development.

This album not only reminds me of a time when you only had to worry about 3 buttons, but is also a development on that style.

Some songs like "I'm No Superhero" are more retro, while "Boyfriend and Girlfriend" is more genre (i.e. is a chiptune and not a soundtrack). Favorite track: Butterscotch Drops of Lime.

Jonas Blättermann I've fallen in love with kulor the first time I listened to "My First LSDJ". It blew my mind, how good it was (and still is). So when I found out he released a full album, I was more then happy to get it. It was worth it. Favorite track: My First LSDJ.

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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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$2 USD or more

1.	My First LSDJ 02:12	info	buy track
2.	Butterscotch Drops of Lime 02:15	info	buy track
3.	Boyfriend and Girlfriend 03:26	info	buy track
4.	Tim Follin Tries Curried Eggs 03:31	info	buy track
5.	Thiefarly Slumlabor 02:45	info	buy track
6.	Space Disko 02:26	info	buy track
7.	Pachelbel's Pirate Ship 01:59	info	buy track
8.	Nintendo Entertainment Samba 02:29	info	buy track
9.	Snofer's Infiltration Mission 02:18	info	buy track
10.	Lobbyists 01:40	info	buy track
11.	Electric Starbounce 02:44	info	buy track
12.	Elementary School Supernova 01:47	info	buy track
13.	Random Encounter 03:07	info	buy track
14.	Madness Sky Falling Etc. 02:35	info	buy track
15.	Cruisin' Mah '95 Pimpmobile 02:31	info	buy track
16.	I'm No Cyberhero 02:38	info	buy track

about

Free download available on Ubiktune: ubiktune.com/releases/ubi052-kulor-now-that-s-what-i-call-kulor

This is a compilation of various tunes I wrote between 2008 and now, most of which used to be on 8bitcollective (RIP) and Battle of the Bits. Every track is playable on actual hardware, with minimal post-processing and no external effects.

Tools used: Famitracker for NES, LSDJ for Gameboy, MOD2PSG2 for Sega Master System/Game Gear, Raster Atari Tracker for Atari Pokey, Paul Slocum's Atari 2600 Music Kit, GoatTracker for Commodore 64, FM-Kingtracker for OPL3 and Anvil Studio, Sony Acid Pro 7.0 and Audacity for DX-7 rendering and track layering.

Shoutout to: lunar, jrlepage, heosphoros, rushjet1, an_cat, miau, willow, nys, shnabubula, coda, reduz, \, xaimus, skitch, kattywampus, b00daw for engaging people (like me) in 2600 music, 4mat and zabutom for helping me figure out the C64, mint for being better than he thinks he is, C-jeff for this site, Rufus for the awesome artwork, Megus for mastering and especially virt for suggesting the idea.
Ironchew, Miga, Yustin, Soda, Stabs, Ashurei and the rest of notwlm

Frothing hatred to: Jose for letting it die, Atari Teenage Riot for Blood In My Eyes

credits

released October 21, 2012

license

some rights reserved

about

kulor Phoenix, Arizona

We are a highly trained professional team of synthesis researchers and theorists, collaborating to bring clients the latest developments in chiptune.

twitter.com/commodorekulor

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